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Shows like The Crown , Mare of Easttown , The Chair , Hacks , and The Morning Show have built entire narratives around the interior lives of women over 50. For example:
This systemic bias is driven by a fundamental devaluation. As researcher Dr. Martha Lauzen explains, "Male characters tend to be valued for what they do, what they accomplish. Female characters tend to be valued for how they look and who they're attached to". This mindset creates a powerful feedback loop, not only limiting actresses' careers but also shaping public perceptions of real-world women, as on-screen invisibility contributes to a broader societal "invisibility" for older women. The resulting psychological toll can be immense, as actresses are often pressured to "do younger roles" to avoid being typecast, and are pushed into narratives that ignore their full human experience.
In Nollywood, veteran actresses are not just surviving; they are leading. Legendary figures like have made stunning returns to the spotlight, using their platform to call for greater collaboration across African film industries. Meanwhile, films like "OLD AND SWEET" (2025) tackle volatile social anxieties with unrelenting melodrama, placing mature women's autonomy and desires at the center of contemporary African storytelling.
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Shows like Grace and Frankie (starring Jane Fonda and Lily Tomlin) ran for seven seasons, demonstrating that a comedy centered on female friendship, aging, sexuality, and reinvention in one's 70s and 80s could attract a massive, multi-generational audience. Similarly, Jean Smart’s tour-de-force performance in Hacks and Nicole Kidman's prolific work producing and starring in complex dramas like Big Little Lies and Expats highlight how television has become a sanctuary for deeply layered stories about mature women. Shifting Narratives: Beyond the Stereotypes
: Produced and starred in Nomadland , earning multiple Academy Awards for a gritty, unvarnished look at a retirement-aged woman navigating economic displacement. Shows like The Crown , Mare of Easttown
These films succeeded because they treated the concerns of older women—friendship, legacy, health, and rediscovery—as urgent and cinematic.
The most sustainable way to change on-screen representation is to change who is behind the camera. When women write and direct, the age range of female characters expands dramatically. Figures like , who directed Frances McDormand in Nomadland , are prime examples of this pattern.
First, the . The fact that only 2% of major female characters are 60 or older—compared to 8% for men—is a scandal that cannot be papered over by a few high-profile wins. The significant underrepresentation of older women, especially in leading roles, remains a persistent problem. Martha Lauzen explains, "Male characters tend to be
These efforts are often powered by fierce individual advocacy. Meryl Streep has used her own money to fund a screenwriting lab for women writers over 40. Meanwhile, media companies like are making waves by exclusively featuring Black women aged 40 and over both in front of and behind the camera. And in a powerful rallying cry, Dame Emma Thompson has called on cinema to "catch up," asking a simple, devastating question: "Women are half the population and we get older. So where are the stories about us?"
The success of films like "Book Club" and "The Best Exotic Marigold Hotel" has also demonstrated that mature women can be leading ladies, with stories that resonate with audiences worldwide. These films have shown that women over 50 can be funny, sexy, and interesting, challenging stereotypes and redefining age.
