The bass on tracks like "Billie Jean" or "Bad" feels punchy and warm, mimicking the heavy vinyl pressings of the 1980s, while the high-end crispness of Jackson's trademark snaps, gasps, and hiccups cuts cleanly through the mix. Final Verdict: A Must-Have for the Compleatist
Rarities like Todo Mi Amor Eres Tú (the Spanish version of I Just Can't Stop Loving You ) showcase Jackson’s incredible phonetic adaptability and vocal control.
Production and sonic character
The Michael Jackson Remixes And Rarities -2CD- -2009- compilation is more than just a posthumous cash-in; it is a carefully curated exhibit of pop music architecture. It reminds us that Michael Jackson was not just a pop star, but a visionary who understood the symbiotic relationship between the recording studio and the dance floor.
While Disc 1 keeps the energy high for the dance floor, Disc 2 is where the true collectors find immense value. This disc compiles hard-to-find B-sides, international bonus tracks, and audio oddities that were previously only available on vinyl or regional CD singles. Michael Jackson Remixes And Rarities -2CD- -2009-
For fans who are new to this collection, here are a few tips for getting the most out of :
"Monkey Business," "Someone Put Your Hand Out," and "In The Back". Comparison with Official 2009 Releases
Are you looking to of this specific 2009 release, or
Michael Jackson Remixes And Rarities -2CD- -2009- filled a crucial market gap. It wasn't just another repackaging of "Thriller" or "Billie Jean." Instead, it arrived at a time when the world was collectively mourning and celebrating his genius, offering even the most dedicated fans something "new" to discover. It reminded the public that beyond the massive music videos and pop iconography, Jackson was an avant-garde musician who constantly experimented with sound. Why It Remains a Must-Have for Collectors The bass on tracks like "Billie Jean" or
You’ll find versions of tracks that lean heavily into the New Jack Swing era, highlighting the influence of Teddy Riley and the shift toward a grittier, more rhythmic sound. Disc 2: The Rarities and Deep Cuts
This 6:30 version stretches out the frantic horn arrangements and the climactic "Mama-say mama-sa mama-coo-sa" chant.
An official 2009 collection focusing on "unplugged" and vocal-heavy versions of his early hits.
Michael Jackson was a pioneer in understanding the power of the dance floor. He routinely commissioned the world's top DJs to rework his tracks to ensure they dominated nightclubs globally. It reminds us that Michael Jackson was not
Background
| Track | Title | Version / Mix | Runtime | | :--- | :--- | :--- | :--- | | 1 | | Original 12" Version | 6:21–6:25 | | 2 | Beat It | Album Version / 12" Mix | 4:17–4:19 | | 3 | Bad | Dance Remix Radio Edit | 4:55–4:58 | | 4 | Smooth Criminal | Extended Dance Mix Radio Edit | 5:22–5:27 | | 5 | Thriller | Album Version / 12" Mix | 5:57–5:58 | | 6 | I Just Can't Stop Loving You | 7" Single Mix / Edit | 4:16–4:23 | | 7 | Another Part Of Me | Extended Dance Mix | 6:18–6:23 | | 8 | The Way You Make Me Feel | Extended Dance Version | 7:51–7:56 | | 9 | P.Y.T. (Pretty Young Thing) | Album Version / 12" Mix | 3:58–4:03 | | 10 | Wanna Be Startin' Somethin' | Extended 12" Mix | 6:30–6:32 | | 11 | In The Closet | KI’s 12" | 7:15–7:19 | | 12 | Scream (feat. Janet Jackson) | Naughty Radio Edit with Rap / Special U.S. Mix | 4:28–4:30 | | 13 | Who Is It | Patience Edit | 4:02–4:07 | | 14 | You Are Not Alone | Jon B. Main Remix | 6:54–6:57 |
: The definitive 6:21 club mix that emphasizes the iconic bassline.
