Madrid 1987 Imdb Access

: A cynical, feared, and widely celebrated veteran newspaper columnist deeply embedded in the cultural landscape of the post-Franco era.

The story begins with Miguel (José Sacristán), an aging, cynical, and once-feared political columnist, who agrees to meet with Ángela (María Valverde), a beautiful and idealistic young journalism student, for an interview. From the start, Miguel’s intentions are less than pure. The interview, which begins in a café, soon moves to the empty apartment of a painter friend, where Miguel’s verbal seduction begins in earnest.

The power dynamic constantly shifts. At one point, Miguel's persistent pressure for sex forces Ángela to defend herself, wrapping a towel around her waist to protect herself from his unwanted advances. Yet, despite his boorishness and her resistance, there is a palpable attraction. The conversation eventually turns more intimate, and after a moment of mutual vulnerability, they share a deep, passionate kiss that leads to a prolonged and explicit sexual encounter in the bathtub. The scene is unflinching, with Ángela even begging Miguel not to finish inside her before they both reach a simultaneous and intense climax. The aftermath of the act brings a new kind of tension, as they attempt to navigate the new reality of their relationship within the confines of the locked room. They eventually reconcile and grow even more intimate in their conversation, leading to a moment of confession where Miguel struggles to articulate exactly what he now feels for her. Their imprisonment is eventually discovered by a worker, who alerts Luis, who returns to free them. Ángela dresses quickly and leaves, forgetting her glasses behind. The film ends with Luis asking Miguel if he will see her again, a question left unanswered. Madrid 1987 Imdb

A 6.8 on IMDb is a strange purgatory. It’s not a masterpiece score, but it’s certainly not a failure. That number reflects the film’s polarizing nature.

The power shifts that occur as they share personal insights and physical space. Principal Cast and Crew Director/Writer: David Trueba José Sacristán : A cynical, feared, and widely celebrated veteran

Because of this, the film carries an unrated status in the US (equivalent to an NC-17/R for graphic nudity and dialogue). User reviews on IMDb are split directly down the middle. One user writes: "A masterpiece of dialogue. Trueba exposes the hypocrisy of the intellectual elite." Another counters: "Pretentious, exploitative, and boring. Two hours of old man philosophy while a young woman listens."

David Trueba’s 2011 drama Madrid, 1987 stands as a unique, deeply intimate entry in modern Spanish cinema. Set entirely within the cramped confines of a studio bathroom, the film strip-mines the psychological, sexual, and intellectual friction between two eras of Spanish history. The interview, which begins in a café, soon

For those looking for a dialogue-heavy, contemplative piece of European cinema, Madrid, 1987 remains a significant entry in modern Spanish film history.

The film was shot on location in Madrid over just twelve days. Its entire dramatic core takes place within the confines of a single apartment and, for the majority of the runtime, a bathroom. Director David Trueba stated that he set the film in 1987, a year he personally remembers as an era when Spain was undergoing a significant shift, shaken by early corruption scandals that eroded the innocence of many on the political left. He described the film as "a story of a generational encounter" between a journalism student, like his younger self, and an older, famous journalist at the end of his career. This biographical element gives the film a sense of authenticity, as Trueba is not just commenting on a past era but on a time that shaped his own worldview.

The film asks a brutal question: For Miguel, the answer is a ghost. For the girl, it is a future he can no longer reach.

Two characters — an aging, cynical journalist (Miguel) and a young, aspiring student (Ángela) — meet for an interview in a Madrid café. After a few drinks, they end up locked inside the bathroom of the journalist’s apartment for three days, completely naked, stripped not only of their clothes but of social masks and generational pretenses.