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Maera felt the impact like a tide. She thought of her father, of a small man who had loved badly and loved nonetheless. She thought of every client she had stitched back together. The Best were not perfect. They were messy, contradictory, sometimes clumsy. But they held the shape of a city trying and failing and trying again.

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“You hide them,” Jurek said. “We seed them into the public again—places that can’t be owned. Public parks. Community archives. The theatre. The market. We return the Best to the people. Keep them from being curated into one person’s idea of excellence.”