The Tigole encodes (often credited to the QxR group) are a gold standard for high-quality re-encodes. Files from this group are widely available and almost always carry the hallmarks of "extra quality."
The Joy group is another highly trusted source for high-fidelity HEVC encodes, offering both standard 1080p versions and massive 2160p (4K) versions for those with top-tier displays.
The phrase is not an official standard but a release tag used by encoding groups (e.g., PSA, QxR, Tigole). It typically indicates that the encoder prioritized visual fidelity over minimal file size. game of thrones season 02 x265 extra quality
The cold winds of winter are rising in the North, but in the South, the air is thick with the smoke of burning battlefields. Following the execution of Eddard Stark, the Seven Kingdoms have fractured.
Unlike x264’s fixed macroblock sizes, x265 uses Coding Tree Units (CTUs) that can vary in size (up to 64x64). This allows the encoder to use larger blocks for simple areas (like a clear sky) and smaller blocks for complex textures (like chainmail or dragon scales), preserving more detail. 3. Audio & Packaging The Tigole encodes (often credited to the QxR
From the dimly lit war rooms of Dragonstone to the literal shadows birthed by Melisandre, the season is packed with low-light scenes. Standard compression algorithms (like older H.264/AVC encodes) notoriously struggle with these zones. They often produce "color banding"—ugly, blocky steps of gradient instead of a smooth transition from dark gray to pitch black. Fire and Water Dynamics
Season 2 is a notoriously difficult piece of media to encode cleanly due to its dark palettes and high-motion battle sequences. An "extra quality" x265 encode solves several historical artifacting issues native to older formats. 1. Banishing the Banding in the Shadows of Dragonstone It typically indicates that the encoder prioritized visual
~8 GB to 12 GB total (at near-identical visual transparency).
Most "extra quality" x265 encodes use 10-bit depth (rather than the standard 8-bit). This drastically reduces banding in dark gradients and skies, making shadows look smooth rather than pixelated.