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“How do you know that?”
The phrase “Our Mad Wet Au” had always been a riddle. As a child, Miriam assumed it was a mishearing of something else—perhaps a line from a poem her father used to recite, or the title of a French film her parents had seen on their disastrous honeymoon in Nice. But the internet, that great archive of human confusion, offered only the dead end of an idiom: mad as a wet hen , an Americanism from the early nineteenth century describing someone in a state of helpless, spluttering rage. A hen, once drenched, cannot fly, cannot fight, cannot do anything but stand there, dripping and furious.
“You know,” she said, sitting down beside him, “Grandpa didn’t jump either. He just walked to the next town and started a new life. Changed his name, grew a beard, became someone else entirely.”